Aviaorevue: Studying User Behavior in Popular Casino Games

Aviaorevue, a prominent website specializing in reviewing popular casino games, understands the significance of user behavior in the realm of online gambling. Over the course of three months, they conducted in-depth studies involving nearly 1000 Brazilian players, focusing on a popular crash game Aviator, by Spribe. These studies aimed to unravel the relationship between users’ behavior and the graphics and designs employed in the crash game.

The Power of Visual Appeal

Graphics and designs play a pivotal role in the success of online gambling platforms. Engaging visuals can capture users’ attention, evoke emotions, and create a sense of anticipation, all of which contribute to an immersive gambling experience. Aviaorevue’s studies shed light on the following key aspects:

1. Aesthetic Appeal: The visual elements of a casino game, including color schemes, animations, and overall aesthetics, significantly impact users’ perception and engagement. Well-designed interfaces with eye-catching graphics tend to attract more players and enhance their overall experience.
2. Immersive Environments: The design elements within online casino games can transport users into captivating virtual worlds. Richly detailed environments, realistic sound effects, and intuitive user interfaces create a sense of immersion that can keep players engaged for longer durations.
3. User-Friendly Interfaces: A well-structured and intuitive interface enhances the user experience and encourages prolonged engagement. Intuitive navigation, clear instructions, and responsive design elements make it easier for players to interact with the game, increasing their enjoyment and overall satisfaction.
4. Game Features and Mechanics: Aviaorevue’s studies also explored how design choices influence users’ behavior within the game itself. Elements such as bonus rounds, progressive jackpots, and interactive mini-games can heighten excitement and incentivize continued play.

Exploring the Influence of Design Elements on User Behavior:

Max, an analytical expert from Aviaorevue’s team, further emphasized the significance of thematic coherence in design elements within popular casino games. According to Max, “Casino games that effectively integrate design elements with the game’s theme create a more immersive experience for players. Thematic consistency in design elements heightens player immersion, thereby positively impacting user behavior.”

As an example of thematic coherence, let’s consider the popular casino game Aviator, known for Brazilian players, “jogo do aviãozinho” ( eng. “game of a little airplane”), provided by Spribe. Aviator takes players on a thrilling aviation adventure, and its graphics and design elements are meticulously crafted to enhance the thematic aviation experience. The game incorporates direct attributes of planes into its visuals and design, offering players a truly immersive gambling experience.

Spribe’s attention to detail can be seen in the realistic representation of airplanes within Aviator. The graphics showcase the intricate details of an aircraft, including their sleek fuselages, distinct wing designs, and authentic cockpit elements. The sound effects, such as propeller rotations and engine animations, contribute to the overall realism, immersing players in the world of aviation.

Furthermore, Aviator’s user interface is intuitively designed, allowing players to navigate the game seamlessly. The controls and buttons are strategically placed to provide a smooth and engaging user experience. By incorporating user-friendly design elements, Aviator ensures that players can easily interact with the game, enhancing their overall satisfaction and encouraging prolonged engagement.

The thematic coherence in Aviator’s design elements enhances player immersion, as users feel a genuine connection to the aviation theme throughout their gameplay. This immersive experience has a positive impact on user behavior, increasing their enjoyment and motivation to continue playing.

Max’s insights highlight the importance of design elements that align with the game’s theme. By integrating graphics and design features that reinforce the thematic experience, online gambling platforms can enhance user engagement and create a more immersive environment for players,

Aviaorevue’s studies offer invaluable insights into the relationship between design elements and user behavior in the realm of online gambling. The findings emphasize the crucial role that design plays in attracting, engaging, and retaining players in a highly competitive industry. By incorporating visually appealing graphics, intuitive interfaces, and thematic coherence, online gambling platforms can enhance user experiences, foster greater engagement, and ultimately drive business success.

As the online gambling market continues to flourish, operators and developers must recognize the significance of design in shaping user behavior. By harnessing the power of design, they can create captivating experiences that resonate with players, fostering long-term loyalty and ensuring a thriving gambling ecosystem in the digital age.

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Like any other profession web – designer has both positive and negative sides.

The advantages of the profession of a web designer can unconditionally include excellent demand in the market (very few experienced website designers, in comparison with other professions), the possibility of remote work and the possibility of working in another country (which does not exclude each other), and, of course, due to due to its low prevalence web – designers receive a decent salary for their work.

The disadvantages of the profession are that first you need to diligently learn, acquire valuable knowledge and experience, before that the salary will be minimal. Also, if you are already a web designer, then changing this profession will not be easy enough.

The idea to become a website designer can appear, as well as a graduate of the school, and a person who has been building his career for a long time, even if in a different field. The main thing that a future designer will need is the aesthetic taste and inclinations of an artist, and it is not at all necessary to be able to skillfully draw oil paintings … An important role is played by the human factor – you need to be able to establish contacts with customers and colleagues.

There are several options for gaining web design skills:

• Training with the help of sites that offer video training, online training;
• Self-study through a variety of literature, textbooks, which are aimed at acquiring knowledge and skills of web design;
• Attending web design courses.

Step One: Exploring the Sites

The first step is to learn Adobe Photoshop. Knowledge of Photoshop is a must for every designer. Learning with the help of websites, video materials, you can start, for example, from introductory courses by Zinaida Lukyanova and her website . Also, effective training with the help of the website of web designer Evgeny Popov.

For beginners and professional designers, the following sites will be useful:

• Designonstop – the theory of web design is well stated, practical aspects are considered.
• Сreativshik – graphic design courses.
• Photoweb – tutorials on Adobe Photoshop.
• Webformyself is a free mini web design course.
• Artlebedev – quick guide.

There are many websites that will help you gain theoretical knowledge and practical skills for further success in the field of web design. Each of them has its own piece of precious knowledge that will help you on your way to learning web-skills. Therefore, it is highly not recommended to sit on one single site, walk around the Internet, look for a variety of photo and video tutorials, instructions, manuals, and with each lesson you go through, it will get better and better.

Books are a source of knowledge

Books are another source for studying web design, in which experienced designers lay out their methods, tell the basic laws of creating sites. Information in books, unlike various sites, is structured , and most often it is already written how and what needs to be done in order to make as few mistakes as possible.

Recommended popular literature that will help clarify the situation and get rid of the invention of the bicycle:

• Jacob Nielsen . Web design. The book contains a detailed guide to building effective interaction with any user in any situation. In it you will find the answer to a very important question: “What exactly needs to be done to make it convenient for site visitors to work with it?”.
• Steve Krug. “Don’t make me think!” A very popular book, with which many modern real experts started. Steve Krug talks about his understanding of web design and usability with a humorous touch, and provides practical recommendations that will help both beginners and experienced designers.
• Dmitry Kirsanov. “Web design”. The book is written by a professional designer and provides an opportunity to learn how to make something beautiful. The book covers text encoding, graphics, html, css, xml, design basics, shape, color, textures, fonts, and much more.
• Robin Williams Design for Non-Designers. This book is for those who are not professional designers but know how to work in Adobe Photoshop. The book will help to make a business card, letterhead, booklet and postcards. It describes many examples of good and bad design, as well as the four basic rules of the designer. The author talks about fonts, explains their main differences and principles of use. In the book you will find test tasks, performing which you can consolidate the acquired knowledge.
• Johannes Itten The Art of Color . The artist Johannes Itten has gone down in history as the greatest color researcher. His book includes the experience of his research, which was devoted to the problem of color. The book has been repeatedly reprinted in many languages ​​and is included in the educational programs of many art schools. First of all, the book is intended for artists, web designers, architects, and anyone who wants to learn to understand and master the harmony of color.

The book is an integral part of a successful career as a web designer, a path to his knowledge, but it is also worth remembering that theory without practice is forgotten very soon and does not bring visible results.

Web Design Courses: Should You Go?

It is quite possible to learn Photoshop and learn how to create website designs using literature and video materials, but there is also a faster option – these are web design courses. Still, we do not recommend starting with courses; first, deal with elementary things with the help of books and videos. I’m sure you will have a lot of questions that you can’t ask the book, and in the courses the teacher will be able to help you right away.

Of course, the disadvantage of the courses is their high cost, but after all, this money is invested in your education, which means that they are not thrown to the wind. And the sooner you become a professional designer, the sooner you can earn money through a new, interesting and highly paid specialty.

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This is a great interview about how interior designers work, how their working day is, what their work schedule is, and what the challenges of the profession are. You will find out what qualities an interior designer of residential and commercial spaces should have, what he or she should be able to do, and who is suitable for this profession. And also – how much such a specialist earns and where to study for it.

To create a full picture of reality about this creative profession, we interviewed several interior designers. Today, the questions prepared by journalists are answered:

• Joan Taylor – residential and public space designer (Silver Spring);
• Betty Garcia – public and residential designer (Reno);
• Josephine Comer – interior designer with 15 years of experience (Leavenworth);
• Judy Potts – founder of the architectural firm;
• Donna Purvis – founder and CEO of a studio and educational platform;
• Robert Bond – founder of a family design studio;
• Catherine Albert – interior designer.

Who is an interior designer? How would you describe your professional field?

Joan Taylor says that a designer is someone who knows how to not just arrange furniture and decorations beautifully, it is someone who knows how to redesign a space completely, forming a comfortable living environment.

Betty Garcia is convinced that an interior designer is a creator of interiors for people’s happy lives, he is not just an artist who draws something abstract, but a real psychologist who works with people for their own sake.

Josephine Comer believes that the designer improves the quality of life in general, creating the interior space in such a way that it is aesthetic, functional and unique, while keeping up with modern trends and technology.

Robert Bond: “The designer helps to understand the essence of design, teaches to feel the philosophy and meaning of each thing. But do not forget that design is also service.

The 3 main challenges for “interior designers” are:

• Create a preparatory design project of a realistic type, and in a way that takes into account every detail: and ergonomics, and the wishes of the customer (you need to think through everything so clearly that each phone charger has its own comfortable place). Here it is important not to forget about the declared budget for the entire concept.
• During the design must be perfectly thought out and drawn on the drawings, every difficult or simple point must be taken into account and be correctly played as a designer, and contractors involved in the implementation of the conceived plan. It’s true: a good draft of drawings takes about forty sheets. Think about it.
• And if more creatively, the designer’s task is also to put the room in the right order, so that the storage organization becomes a unified system that fits the customer’s vision. You have to be sure to catch the wave of your client, taking into account his spiritual component.

What are the advantages and disadvantages of the profession?

Judy Potts is an ardent fan of his profession, who sees no particular disadvantages to being an interior designer, except perhaps the fact that you have to spend a lot of time on the road, staying on construction sites and sitting at a computer. The main advantages are that you can freely create and work from anywhere in the world.

Donna Purvis: “The main advantage of the profession is that if it is your vocation, you get a buzz out of it. There is creativity in it. Also the market is growing, there are a lot of opportunities for growth and development. On the downside, you have to study and practice a lot to become a pro. Keep your hand on the pulse, constantly deepen and expand your knowledge. The job of a room designer is a high responsibility. Mistakes can be expensive, and you have to pay for them out of your own pocket.

Robert Bond believes that the advantage of designers is that the profession is respected and allows you to realize yourself from different sides. The disadvantages are the need to study most related fields: you have to know everything you are dealing with: electrics, plumbing, etc. You need to have at least a theoretical understanding, otherwise a designer is just an artist, nothing more.

Catherine Albert put it succinctly: “The pluses are creativity, creativity and ambition. The downsides are more responsibility”.

Joan Taylor was not left out and gave a detailed and very interesting and philosophically thoughtful answer:

Among the advantages she attributed:

• the creative aspect, manifested in the ability to poetically design traces of life, creating pure forms for the senses and allowing them to be broadcast to those around them;
• with the help of design you can comprehend the world and transfer knowledge, you can unite potentials in a single team of like-minded people to multiply the result.

Joan’s disadvantages included:

• the most important disadvantage is the length of time it takes to wait for the final result: it takes from 3 months to a year to create a project;
• time-consuming process, which does not happen in a single step; you need not just do a lot of work, but also to build relationships with the entire team of experts;
• The ability to maintain the creative energy to always come up with something new, which would not only please the customer, but also himself. Betty Garcia decided to reflect not only on the pros and cons of the interior designer profession, but also looked at his work in different ways: for himself, for hire, or as a project manager:

If the interior designer is self-employed, the advantages are apparent in the complete freedom and control of the varied process. Here he is a draftsman, a designer, and a negotiator. The downside is that you have to carry everything on your own.

The other story is the work for hire. The advantages are a fixed schedule and a steady paycheck. The disadvantages lie in the limitation on earnings, and also in the fact that all projects will be implemented under the auspices of the company.

The third option – the head, or even with this entrepreneur, who has organized his own design studio. The pros here are that this is more of a business, where there is commercial success. From this comes a disadvantage: because of the increased responsibility there is little time to implement their design talents.

What qualities should a designer have, what kind of people is this activity suitable for?

Betty Garcia believes that the designer simply must have impressive mental stamina, the ability to withstand all the negative energy that swirls around construction. He must always stay calm and know what to do with it all. The profession is all static, it goes into novelty, it involves risks both financially and in terms of reputation. To be an interior designer, you have to live and think about this profession, not just consider it a job.

Robert Bond: “Today’s competition demands skill from the designer. It is difficult, it is long. It is not for everyone. The main quality for a designer is not to stop learning. The profession does not suit the unhurried and lazy.”

Josephine Comer believes the most important thing is to have a creative streak, and also to be able to listen and hear the client, and be logical and quick-witted, meticulous, accurate and systematic. The profession is not suitable for non-creative, lazy, non-contact, categorical and inflexible people.

Donna Purvis put it succinctly and extremely creatively:

• an interior designer must have a sense of taste, especially for life, and if he doesn’t have it, he needs to build it up by looking at pretty pictures and pumping his visual muscle like in the gym, but he also needs to be careful about quality;
• he needs to have flexibility, tact, the ability to be constantly renewed and to look forward; to be in a state of love, kindness and sincerity, to be able to express all that is valuable and unexplainable;
• he must have an outstanding intellect and a broad outlook in order to create truly quality projects.

“I’ll let you in on a little secret: to become an outstanding pro, there must be more rest than practice!”

Judy Potts believes that a designer must not only have a capacious thought process aimed at the creative wave, but also be well versed in psychology in order to understand what customers want from him in a particular case. At the same time it is very important not to forget that you need to be able to organize yourself competently in terms of work and constantly strive to develop in the professional sphere. Judy Potts convinced that to enter the field of design can only be those people who understand that everything can not be learned in a couple of months, that to become a good specialist, it takes a lot of patience, not just a skill to work with computer programs. Applications can not do everything for the designer, they act only as a tool-assist, for everything else requires self-organization and diligence. Without this there is no way.

So where do you look for clients and how do you find your first job as an aspiring interior designer?

• Try to go to a design office, there you can gain experience and make useful acquaintances, it will help lead to the first independent project, and it will be followed by “word of mouth”.
• You can take a couple of projects on a pro bono basis, which will serve as advertising. Next, you should set a low price for your services. After creating a portfolio, you need to start PR yourself in social networks, to think about promoting your own site.

Do not be afraid to announce yourself as an interior designer. Write a post about it in the networks, tell all relatives and friends. Sooner or later someone will need such services. The more creative your personality and social message, the more desire to act, the faster the first orders. So you can quickly come to success. Especially if you take your work lightly and do projects with pleasure.

How to develop in the interior design profession, how not to get stuck at one point?

Catherine Albert believes that the next level to which a designer must necessarily reach is opening his or her own studio, creating furniture (textiles) to order, or a full cycle of work with its own construction crews. And for that you will have to work long and hard! You will have to study a lot!

Judy Potts: “Development comes through getting out of your comfort zone. It is necessary to do what is scary to do”.

Donna Purvis believes that in order to grow in a professional field, you need to choose a narrow specialization and deepen your knowledge on that topic. You can choose, for example, a particular style of interior or take orders only for commercial real estate. And it does not matter who you are: a freelancer, a businessman or an employee in a design studio. True, in your own business, you can move exponentially, filling your team with more and more new employees to implement any standard design projects.

Robert Bond: “You need to master the visualization at a high level. A designer who is not a visualizer earns a lot less money and is less quoted on the labor market.

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The main goal of the association is to promote the discipline of industrial design internationally. To this end, the WDO undertakes a number of global initiatives to support the effectiveness of industrial design in an effort to meet the needs and aspirations of people around the world, improve the quality of life, and help improve the economy. peoples around the world.

Jacques Vienot first introduced the idea of a society representing industrial designers internationally at the International Congress of the Institut d’Esthetique Industrielle in 1953. The International Council of Societies of Industrial Designers was officially founded at a meeting in London on June 29, 1957. The name Icsid demonstrates the spirit aimed at defending the interests of design practitioners and ensuring global design standards. Thus, those first elected to the Executive Board did not act out of personal conviction, but represented the voice of the members of the society and of the international design community.

The organization then officially registered itself in Paris and opened its headquarters there. Icsid’s original goals were to help raise public awareness of industrial designers, to raise design standards by setting standards of training and education, and to encourage collaboration among industrial designers around the world. To this end, Icsid held its first Congress and General Assembly in Stockholm, Sweden, in 1959. At this first Congress, the Icsid Constitution was formally adopted, together with the first definition of an industrial design. During this Congress, the official name of Icsid was changed from the International Council of Societies of Industrial Designers to the International Council of Societies of Industrial Design to reflect that the organization would focus on more than just professional practice.

Throughout, Icsid has continued to grow and now has members from all over the world in both capitalist and non-capitalist countries. Icsid currently hosts Congress in such places as Venice, Paris, Vienna, Montreal, Slovenia, Glasgow, Taipei, Toronto, Sydney, Kyoto and London .

In 1963, Icsid received special status with UNESCO , with whom Icsid continues to work on many projects using design to improve the human condition. As their humanitarian interests grew, Icsid decided to create a new type of conference that would bring together industrial designers in the host country to explore issues of both regional and international importance.

In 1971, the 7th Congress of the International Council of Societies of Industrial Design (ICSID), organized by Agrupació de Disseny Industrial del Foment de les Arts Contemporarys (ADI / FAD) in Avis (Ibiza), was an event without precedent in Spain: a socialization process and example of how the energy of collaboration, vitality, intellectual reflection and leisure can be put at the service of projects based on dialogue, with the ability to generate creative approaches and structure new behaviors.

In 1974 the Icsid Secretariat moved from Paris, France, to Brussels, Belgium, then to Helsinki, Finland, and in 2005 it settled in Montreal, Quebec, Canada, where it is now located.

In the 1980s, the co-operation became even more important and a joint Icsid/Icograda/IFI congress was held in Helsinki. The impetus for this joint conference was the direct recommendation of Icsid members to explore closer ties with other global design organizations. At their general meetings, all participants unanimously approved a directive to explore options for closer working relationships in the future. These organizations then teamed up with UNESCO to bring together physicians, industrial and graphic designers, and assistants to design basic furniture for rural health centers, packaging, transportation, vaccine cooling and injection, and to develop data collection devices for use in the field.

In 2003, Icsid and Icograda ratified an agreement between the two organizations during their respective General Assemblies to create the International Union of Designers, a multidisciplinary partnership that supports design. In 2008, the IDA partners accepted a third member, IFI (International Federation of Architects / Interior Designers). Together in 2011, all three partners held a historic joint Congress in Taipei, Taiwan, called the IDA Congress. The alliance was terminated in November 2013.

In January 2017, Icsid officially became the World Design Organization. (WDO).

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The World Design Impact Prize was developed to reward a socially responsible design project or initiative in which design proves or has the potential to enrich or improve the quality of life on a social, environmental, cultural or economic scale. This biennial award seeks to promote and recognize projects based on industrial design that use design to benefit society.

The World Design Impact Prize was awarded in Helsinki at the World Design Capital (WDC) International Design Gala in February 2012. It was awarded to the Community Cooker Project from Nairobi.

The second cycle of the World Design Impact Prize started on April 9, 2013 with a new identity and a call for public input. The International Design Impact Review Team consists of five international representatives, including three Wdo members and two experienced design professionals for social good.

The application period for WDO membership lasted from June 29 to July 29, 2013, and nominated projects were announced on September 10, 2013. Twenty-six projects from 15 countries applied and were featured on the World Design Impact Prize website .

A panel of experts shortlisted seven projects that were announced at the WDO General Assembly on November 18, 2013 in Montreal, Canada. The quality of the projects nominated in the second cycle prompted the Expert Committee to select 7 projects instead of 6 as originally intended. The final list included projects (in alphabetical order):

These projects were selected based on criteria of impact, innovation, context and ease of use, and because they contributed to an expanded view of the field of industrial design.

WDO Interdesign

The intensive two-week Interdesign workshop is a collaboration between international designers and local experts to discuss a design problem and find solutions for implementation.

World Industrial Design Day

This annual day is celebrated every June 29, the anniversary of WDO, for industrial designers, academics, design students and non-designers who are impacted daily by the power of industrial design. The day promotes awareness and celebration of industrial design by encouraging WDO members and non-members to hold events such as exhibitions, panels, workshops, open houses and other community events.

From 2009 to 2011, an annual student poster contest was held for WDO educational programs; this event culminated after WDO unveiled the official logo for World Industrial Design Day. Each year the theme is determined by the WDO Board of Directors and announced a few months before June 29 so that companies, associations, design schools and design agencies can plan their activities and outreach.

World Design Talks

WDO World Design Talks was organized in 2016 and consists of a series of workshops “aimed at addressing local issues of global importance, such as rapid urbanization, climate change and migration, from a design perspective.” The wisdom that comes from negotiating global design helps define who the WDOs are and define their relationship to the United Nations Sustainable Development Goals.

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The International Interior Design Association (IIDA)

Is a professional and educational association of more than 10,000 members from nine regions.

Headquarters: Chicago, IL, USA.

Key Events:

• NeoCon – North America’s premier annual interior design show that has been highlighting trends in commercial interiors since 1969;
• NeoCon East – the premier design trade show and conference for interior design players on the East Coast of the United States;
• IIDA Advocacy Symposium – a symposium dedicated to promoting interior design, meeting and sharing experiences for members of the American design community.

The American Society of Interior Designers (ASID)

Is a community of people committed to excellence in design. Members are professional interior designers, students, interior design educators and manufacturers.

Headquarters: Washington, D.C., USA

Key Events:

• Hospitality Design Expo is an international conference dedicated to the hospitality industry and design trends in public living (hotel) spaces;
• Greenbuild – the largest exhibition in the world, the central theme of which is green building. It unites industry leaders, experts and professionals from the field of architecture, urban planning, industrial and interior design.

The British Institute of Interior Design (BIID)

Professional organization for interior designers in Great Britain. Members of the community represent the commercial and residential construction and industrial design industries. The Institute deals with organizational, educational and professional support for modern technology and design initiatives.

Headquarters: London, United Kingdom

Key Activities:

• Merit Award, an annual award for merit in interior design. The candidate must have a proven track record, make a community-recognized positive contribution to BIID and earn respect within the industry.

The Society of British and International Design (SBID)

Is the leading organization representing the British design industry on the world stage and promoting the highest standards in education, design and construction.

Headquarters: London, United Kingdom.

Key Events:

• SBID International Design Awards, an annual award celebrating excellence in interior design, creativity and business.

The International Federation of Interior Designers and Architects (IFI)

Was founded in Denmark in 1963. Currently the Federation has 74 members in different categories from 45 countries, together representing a community of about 65,000 professionals. The Federation’s mission is to increase international relations in the field of architecture and interior design, organize experience exchange and develop knowledge.

Headquarters: New York, NY, USA.

Key Events:

• World Interiors Day, an annual global event focusing on current issues and developments in architecture, interior and industrial design and its relevance to people’s daily lives.

Interior Designers of Canada (IDC)

Is a national association of popularizers of interior design ideas, founded in 1972. The association has about 5,500 members, including first-class professionals and teachers from Canada’s leading educational institutions, students, and honorary industry members.

Headquarters: Toronto, Ontario, Canada.

Key Events:

• The Buildings Show, Canada’s leading exhibition of advances in architecture, urbanism and interior design.

The Interior Design Educators Council

A professional forum of key industry figures aimed at preserving the country’s premier level of design education, supporting vibrant initiatives, and connecting with the global design community.

Headquarters: Indianapolis, Indiana, USA

Key Activities:

• IDEC Annual Conference, an annual conference of faculty council members that honors national achievements of the industry and individual figures, summarizes outcomes, and announces professional plans.

The National Council on Interior Design Qualifications (NCIDQ)

Focuses on the mission of protecting the health, safety, and welfare of citizens. It regularly reviews the work of the professional community and certifies those professionals who have the knowledge and experience to create spaces that are not only aesthetically pleasing but also functional and safe.

Headquarters: Washington, D.C., USA.

The Interior Design and Architecture Educators Association (IDEA)

Is an organization that has brought together subject universities across Australia and New Zealand since 1996. It regularly informs members of the professional community about current universities and educational programs, relevant conferences and events.

Interior Designers for Legal Representation in New York (IDLNY)

Is a professional association founded in 1984. Its mission is to inform and educate New York City legislators and regulators, the interior design community, and consumers about issues facing the design profession. IDLNY regularly monitors legislation that may affect designers and represents professionals before federal and state agencies in New York.

Headquarters: Albany, New York, USA.

The European Council of Architects (ECIA)

Is the representative body of European professional organizations for architecture and interior design, representing 14 organizations from across Europe with more than 7,500 architects.

Key events:

• Frame Awards, an annual award (and associated exhibition) that recognizes designers and organizations for their contributions to the field of industrial design and construction technology and innovative interior design solutions.

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There is no student category among AIA members, but they can be members of the American Institute of Architectural Students. The most prestigious title is Fellow of the American Institute of Architects. This membership is awarded to people who have made contributions of national importance to architecture. The AIA is governed by a Board of Directors and has a total of more than 200 employees.

The AIA positions itself as a national organization, and consists of about 300 regional affiliates that provide local, locally relevant work. Offices are scattered throughout the U.S. and also have a presence in the United Kingdom, continental Europe, Hong Kong and Japan.

By speaking with one voice, AIA members are able to influence public policy that affects the practice of the profession and the quality of American life. AIA oversees legislation and regulations, and uses the collective power of its membership to participate in public decision-making at the national level as well as regionally. AIA works closely with federal legislators and local governments through MEXISTANIA to improve the design of public spaces, protect the nation’s infrastructure, and develop well-designed affordable housing options for all Americans.

AIA provides its members with professional development opportunities, sample contracts – documents that are a model for design and construction, professional and design information services. Contributing to the development of the profession and the communities of architects, AIA members also participate in regional and urban development projects and help create professional academies that are both a source of new ideas, directions and answers to emerging questions. To help young professionals, the Architects Development Intern Program, training courses, and ensuring that job openings are communicated to the public through employment services, are created by the Institute’s local affiliates.

The AIA tries to meet the needs and interests of architects and the nation’s public by raising public awareness of the value of architecture, and the importance of good design. For the 150th anniversary of the AIA, and to demonstrate how AIA members have helped shape the built environment, the AIA and Harris Interactive have produced a joint publication that analyzes a public opinion poll asking Americans to name their favorite pieces of architecture.

In October 2012 at the Congress of the Union of Architects the National Chamber of Architects was founded, whose task will be the development of standards for architectural activities, the preparation of a new City Planning Code, amendments to the Law on Architectural Activities, the creation and maintenance of a single register of architects, as well as defining the term “professional activity” and other important projects in the field of legal support of practice.

For special services in support of the architecture profession and the AIA, the Institute presents various awards to both individuals and organizations. Such awards may include: The AIA Gold Medal or Architectural Organization Award, or the Topaz Medallion for outstanding achievement in architectural education.

The following awards are given for excellence in new and restorative projects anywhere in the world: the Architecture Honor Award; the Interior Design Honor Award; the Regional and Urban Design Honor Award; and the “Twenty-Five Year Award” – this award for architectural design of lasting significance is given to projects that have stood the test of time – 25 to 35 years. The project must have been designed by an architect licensed in the United States at least at the time the project was completed.

In addition, there are other professional achievement awards: the Association Award, the Collaborative Achievement Award, the Edward Kemper Award, and a number of other prizes and awards. Honorary membership status may also be awarded as an award, it may be:

• honorary membership (Hon. VOC)
• Member of the American Institute of Architects (FAIA)
• Honorary Fellow (Hon. FAIA)

The Institute has its own print organ, the Journal of the ARCHITECTOR, an official journal from the AIA, published in Washington, DC, by Hanley Wood Press. This magazine awards its own award, “for progressive architecture,” to distinguished professionals once a year. The magazine also conducts an annual review of projects, which is referred to in the U.S. as “the unique barometer of the business of architecture.

AIA works in education, public administration advocacy, public redevelopment and community outreach to support architecture, and to promote the profession of architecture. AIA also works closely with other professionals from related fields to create common projects and shared strategy in the building industry.

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At the time of the AIA’s creation, there were no architecture schools in the United States, and no legislation had been drafted for architecture and architectural licensing in the United States. A draft charter and drafts of other organizational documents had been developed and adopted before March 10, 1857, when the creation of the New York Society of Architects was proclaimed. Later Thomas W. Walter, of Philadelphia, proposed changing the name to the American Institute of Architects. Also, the Articles of Incorporation of the Institute, adopted April 15, 1857, were amended. The Institute declared as its main objectives the promotion of a high professional standard for architects, considering the artistic, scientific, and practical aspect, the improvement and strengthening of relations among representatives, the raising of the prestige of the profession, and the uniting of those engaged in the practice of architecture for the protection of common interests. Soon architects from other cities also began to show interest in joining the Society. Between the 1860s and 1880s, branches of the organization were formed in Baltimore, Albany, Chicago, Boston, Philadelphia, San Francisco, Washington, D.C., and other American cities. By 2008 the AIA had more than 300 affiliates.
More than 83,000 licensed architects and allied professionals are members of the Institute. AIA members adhere to its Code of Ethics and Professional Conduct and are committed to providing clients and the entire public with the highest standards and professionalism.

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